شماره ركورد :
1303591
عنوان مقاله :
سوگرداني از ساحت صنعت به ساحت هنر؛ امكان نجات بخش زمانه ما از نگاه هيدگر
عنوان به زبان ديگر :
Turning from Technic to Art; as the Savior of Our Age in Heidegger’s Philosophy
پديد آورندگان :
سوزن كار، مرجانه د انشگاه آزاد اسلامي واحد علوم و تحقيقات - د انشكد ه حقوق، الهيات و علوم سياسي - گروه فلسفه هنر، تهران، ايران , ريخته گران، محمدرضا دانشگاه تهران - دانشكده ادبيات و علوم انساني - گروه فلسفه، تهران، ايران , مصطفوي، شمس الملوك دانشگاه آزاد اسلامي واحد تهران شمال - دانشكده ادبيات و علوم انساني - گروه فلسفه، تهران، ايران
تعداد صفحه :
9
از صفحه :
5
از صفحه (ادامه) :
0
تا صفحه :
13
تا صفحه(ادامه) :
0
كليدواژه :
گشتل , پوئسيس , هنر و صنعت , تقدير انكشاف , سوگرد اني (چرخش)
چكيده فارسي :
هيد گر د ر رساله پرسش از تكنيك ضمن صحيح د انستن تعريف هاي موجود شناسانه از صنعت يعني صنعت به مثابه مجموعه ابزارآلات و وسايل يا فعاليت هد فمند انساني، معتقد است اين تعريف ها به هيچ وجه ذات يا حقيقت صنعت را به د يد نمي آورند . د ر نگاهي وجود شناسانه، وي صنعت را - به مانند هنر - نحوي انكشاف وجود به واسطه آد مي مي د اند و عقيد ه د ارد برخلاف هنر كه انكشافي به نحو پوئسيس يعني تحقق حقيقت وجود د ر موجود ات است، صنعت انكشافي به نحو گشتل يعني ظاهرشد ن موجود ات به عنوان منابع قابل بهره برد اري است. هيد گر د ر اين رساله گشتل را تقد ير انكشاف د ر عصر كنوني د انسته و مخاطرات آن را براي زمانه ما برشمرد ه است. اما د رعين حال بين سرنوشت و تقد ير تفاوت قائل شد ه و بر اين باور است كه چنان چه بشر امروز خطر گشتل را - كه بيش از همه متوجه سرشت انساني اش است - به عمق جان د ريابد ، سوگرد ان خواهد شد . به عقيد ه وي با سوگرد اني يا چرخش به سوي وجود ، نسبت آد مي با وجود - از بعُ د به قُرب - تغيير خواهد كرد و امكان تغيير تقد ير زمانه - از گشتل به پوئسيس - و د ر نتيجه امكان نجات از خطر گشتل د ر عصر جد يد ميسّ ر خواهد شد.
چكيده لاتين :
In The Question Concerning Technology, Heidegger considers the Ontical definitions of Technic - Technic as instrrument or human activity - correct. But He believes such definitions do not reveal the essence of Technic. With an Ontological attitude, He views the Technic as a kind of revealing of Being , like the Art. However He believes Unlike Art - that is a Poetical revealing-, Technic is a Gestell - Type revealing. In this Treatis, Heidegger considers Gestell as destining of revealing in our age and describes it’s danger to us. Heidegger considers the most important danger of Gestell to be The absolutism of revealing of Being by human as a result of that The original and fundamental way of revealing, Poiesis, has been forgotten and even revealing itself has become impossible. In such a situation, man also understands his essence only as a subject of domination and he does not remember his true dignity, which is the refuge of Being in beings Thus Heidegger considers the most serious danger of Gestell to be the damage to the originality of Dasein, which is the refuge of Being in beings and he believes that Poiesis, or in other words, the essence of art in our time can not be realized . According to Heidegger, the human race of our time has two ways forward in the face of such a situation. or surrender to what is destined to the status quo; Or, by reflecting on the essence of what is dangerous to him, finds a way out of this situation. It can be said that Heidegger make a difference between fate and destiny. He believes if the man of our age find out danger of Gestell - which has caused the most damage to its human essence - he will turn toward Beinh. Reflecting on the essence of Technic will lead one to go beyond the Ontical view of Technic, that is, to understand Technic as an efficient human product and see it as it really is. That is, to understand Technic as a form of revealing. In this case, by transcending the beings and being in the openness of Being, - which Heidegger refers to as Turning -, Man's relation to Being will change - from farness to nearness and destining of revealing - from Gestell to Poiesis - will change and consequently way out of Gestell’s danger will be possible. In the sense that Being will be able to emerge in a way other than Gestell. In fact, as a person turns around and settles in Being, his way of being will change - from a domineering presence to a poetic presence and the original form of revealing, Poesis, will be possible. In other words, it can be said that by Turning, a person connects with his true self and his way of being will change from inauthenticity to authenticity. In such a case, Gestell will not rule as the only way to revealing and so - despite the presence - will not be dangerous to humans
سال انتشار :
1401
عنوان نشريه :
هنرهاي زيبا- هنرهاي تجسمي
فايل PDF :
8733747
لينک به اين مدرک :
بازگشت