كليدواژه :
Achaemenian , مذهب , Parthia , متون ديني , Sassanid , ادبيات , شعر , poetry , شعر هجايي , Professional music , هخامنشي , مادها , maga , ساسانيان , gusn , هخامنشيان , گوسان , Oral history , ايران باستان , Persian , خنياگري , MEDIA , هنر , Ramishgar , اشكانيان , موسيقي , تاريخ شفاهي
چكيده لاتين :
Most of religious and political texts of ancient Iran were composed in the
form of syllabic poetry. This type of poetry was accompanied by music to
stay in mind and be protected from embezzlement of cultural brigand.
Religious beliefs and the popularity of religious and national figures
were strong support for the oral culture of ancient Iran. In the meantime,
professional musicians (gusn, huniagar) had a role in keeping and
transmission of the oral culture.
This role and status is not only observed in Iran, but also among the
Georgian and Armenians so that later Persian musicians were accused of
blasphemy and atheism by Christiano.
