متناقض نمايي درقصايد خاقاني

Paradoxical Structures in Khaghaniʹs Odes (quasida)

Paradoxes are indeed a linguistic possibility for foregrounding of aboration of the norm, defiance of standards and defamilization (dehabituation) which results in wornder and aventually aesthetic pleasure.Ofcourse paradoxes are an different from oxymorons.!t is pleasant and beauty-breeding which prompts dcfamilization, ambiguity. ambivalence, highlighting meanings and brevity in discourse. This linguistic approach can be traced more or less in almost all periods in Persian literature, and such factors as literary evolution from plainness to profoundness and amalgamation of mysticisim with Persian literature were effective in emergence and nourishing of it. The elements of paradoxes are in from of whcthcc paradoxical images compound or blending or paradoxical sentences or expression. In the present article paradoxes in khaghaniʹs odes (quasidajarc studied. Which is based on the structure of paradoxes and the scope of its formation as iliustrated below.The structure of paradoxes (different form of paradoxes in terms of syntactic elements which in khaghaniʹs odes are as follows: Aiparadoxcs in the Iorm of blended or compound.Bjparadoxes in elements of a sentences. C)paradoxes between two sentences. Eventually it is worh saying that paradoxical structures in khaghaniʹodes are formed in such areas as exaggerations (overstatement), metaphors. similies and linguistic clements.