بررسي رمزگان واقع گرا در نسخه خطي هزار و يك شب

The Analysis of Realistic Codes in the Manuscript of One Thousand and One Nights

In their limited sense, images are a part of visual signs. The communicative value of each visual sign with another is of a particular agreement. Therefore, allegorical signs within an image, which demonstrate style and technique, gain importance. The main purpose of this paper is to clarify the practical allegoric codes of the manuscript of "One Thousand and One Nights" acknowledged as one of the masterpieces of the Qajar era by Sani-al Molk. In this manuscript, the artist endeavors to go beyond the visual appearances and express the truth of human beings and their relationship with their relationship with their surroundings and one another. The prominent theory in this paper is that, Sani-al Molk applied an allegoric code that may be considered realistic, such as type, selection, perspective, and ideology. However, he did not merely submit in borrowing these codes from nature, rather, he created a free and discrete combination of traditional and flexible ornamentation in the form of previous styles. Consequently, his work of art became familiar for the spectators of his age. Aims: 1-Becoming familiar with the manuscript of " One Thousand and One Nights" and the great painter of this collection; Sani-al Molk 2.Analyzing the realistic codes in the manuscript of "One Thousand and One Nights". Questions answered throughout the article: 1-By illustrating the manuscript, has Sani-al Molk created a compatible work of art according to the audience of his age?