بررسي شعر هوشنگ چالنگي و تاثير آن بر جريان هاي شعري دهه هاي 50 تا 70

The Poetry of Hooshang Chalangi and its Influence on Persian Poetical Trends from 70ʹs to 90ʹ

The 1340ʹs is one of the most remarkable decades in Persian contemporary poetry in which many poetic trends and waves such as Moj-e Now (The New Wave), Sheʹr-e Digar (A Different Poetry), and Sheʹr-e Hajm (The Poetry of Dimensions) appeared , all originating from Nimaʹs poetical innovations. Hooshang Chalangi was among the poets who got interested in free verse, and together with some other poets founded a group called Gorooh-e Sheʹr-e Digar, later on developed as Sheʹr-e Hajm. In 1350ʹs the poetic knowledge and achievements of Chalangi was a manifest for the young poets of Masjed Soleyman who were enthusiastically supported by Manoochehr Atashi, and finally established Moj-e Nab (The Pure Wave). Chalangi is known for his unconventional poetic diction, conciseness and taking advantage of the natural elements of his native land. A different interpretation of the old mythology, going beyond the scansions of Nima, as well as making use of surrealistic images, defamiliarization and metaphoric language are among the other features of Chalangis poetry