بررسي تعابير استعاري و كنايي شعرسيد حميري در تصوير سيره اهل بيت (ع)

A survey on metaphoric and allusive implications in poem of Sayyed Hemyari in a portrait from Ahl-Ul-Bayt (PBUT)

بكارگيري استعاره و كنايه همواره از ارزشمندترين هنرنماييهاي ادبي و وسيله اي مناسب براي محك زدن قدرت سخن سرايي شاعران بوده است. سيد حميري بعنوان يكي از شاعران بزرگ شيعه كه شعر خود را وقف دفاع از اهل بيت (ع) نموده است، از تصاوير بلاغي با موفقيت بهره برده است. مجموعـه استعارات قابل توجه در شعر سيدحميري در عين سادگي و بي تكلفي، سيماي هنري موجهي را براي شعر او رقم ميزند و نمونه بيعيب و نقصي از يك شعر ساده و خلوت ديني است. بيشترين صـور خيالي كه در شعر او با تنوع معاني و تصويرگري بسيار بالا به چشم مي خورد، كنايه است. كنايات شعر او پيش از آن كه تصويرگر و داراي فضاسازي باشد، بيانگر و تقريري است. شاعر از آوردن استعارات و كنايات هيچ گاه بدنبال پيچاندن سخن و سردرگم كردن مخاطب نيست، بلكه آرمان شعر او همان بسط معاني، اغراض و تصاوير شعر ديني است كه در اين باره در به كارگيري كنايات و استعارات موفق بوده است. شعر و تصاوير شعري او از سويي آيينه تمام نماي سيماي درخشان اهل بيت و از سوي ديگر بيانگر چهره كريه و نازيباي دشمنان ايشان است، تا مردم بتوانند از سرچشمه فضايل و احاديث و اخبار ايمه معصوم (ع) سيراب شوند.

Adaption of metaphor and allusion has been always considered as the most valuable literary representations and seved as an appropriate device for benchmarking versification potential in poets. As one of Shiite poets, Seyed Hemyari who has devoted his verse for defense from Al-Ul-Bayt (PBUT) has benefitted successfully from rhetoric images in this field. Despite of its simplicity and plainness in group of outstanding metaphors in poem of Sayyed Hemyari, this may represent a reasonable artistic portrait for his verse and is considered as a faultless and intact sample of a religious plain and cozy verse. Most of imagination states that have been mainly seen in his verse with various concepts and highly characterization are allusions. Before acting as a portrait maker with nature of landscape, his poetical allusions are expressive and assertive. By purposing metaphors and allusions, the poet never intends to create conflict in speech or making the audience wandering, but ideal of his verse is simply extension of concepts, propuses and images of religious poem so in this regard he has succeded to employ metaphors and allusions. On the one hand, hois verse and poetic pictures are like a full- height mirror against brilliant portrait of Ahl-Ul-Bayt and on the other hand it represents nasty and ugly picture of their enemies so that people to manage to be quenched by origin of virtues, traditions (Ahadith) and news from Faultless Imams (PBUT).