شماره ركورد :
585112
عنوان مقاله :
بررسي تاثير تزيينات نگاره هاي بازمانده از مانويان در تزيين قرآن هاي قرون اوليه اسلامي موجود در موزه قرآن امام رضا (ع)
عنوان فرعي :
Effect Apart from Manicheans Surviving Painting Decorations on Qurans Decorated in Early Centuries of Islamic Imam Reza Quran Museum
پديد آورندگان :
شيرازي ، علي اصغر نويسنده Shirazi, A.A. , صادقپور فيروزآباد، ابوالفضل نويسنده كارشناس ارشد پژوهش هنر، دانشكده هنر، Sadeghpour Firouzabad, Abolfazl
اطلاعات موجودي :
فصلنامه سال 1391 شماره 52
رتبه نشريه :
علمي پژوهشي
تعداد صفحه :
12
از صفحه :
33
تا صفحه :
44
كليدواژه :
نسخه هاي خطي قرآن , هنر اسلامي , هنر مانوي , موزه قرآن امام رضا (ع) , ماني
چكيده فارسي :
پس از حاكميت اسلام، مانويان مانند ساير اديان ديگر در ايران به مدت چندين قرن از آزادي نسبي برخوردار شدند كه در تعامل با حاكمان جديد بودند، و بدون ترديد حاكميّت جديد، از تجربه هاي مختلف سرزمين هاي جديد بويژه ايران بهره مي برد. در همين هنگام بود كه ايرانيان هنر خود را در خدمت مسلمانان قرار دادند. به مرور و با گسترش اسلام، سنت و فن تزيين و تذهيب كتابت قرآن كريم به تاثير از هنر گذشته ايرانيان، قرار گرفت، به طوري كه فن تزيين و تذهيب كاري در ادوار اسلامي هنر ايران، مقامي والا يافت. اين پژوهش سعي بر آن دارد تا با بررسي تاثير نگاره هاي مانوي بر تزيينات قرآني، ارتباطات عميق هنري موجود و انتقال و تكامل آن در دوره هاي بعد را بررسي نمايد. هدف اين پژوهش، يافتن ويژگي هاي تصويري، تزييني و نيز نوع عناصر به كار رفته هنر مانوي در تزيين نسخه هاي خطي قرآن كريم از قرن اول تا ششم هجري موجود در موزه قرآن امام رضا (ع) مي باشد. روش اين تحقيق به صورت توصيفي– تحليلي و شيوه گردآوري اطلاعات به صورت كتابخانه اي و ميداني است.
چكيده لاتين :
Quran, the eternal Word of God and human capital, since the descent to the present and future generations of Muslims will always be special consideration. Godʹs Word in a very short time, swept across borders and across wide territories adjacent to their building and conquered the hearts of patriots. This fascination with the Muslim holy book, owes much to the aesthetics of the Word of God. The scribes and the Muslim religion from the start tried to make manifest the beauty and meaning of the word in the Quran.After the rule of Islam, like other religions Manicheans in Iran for centuries had enjoyed relative freedom in the interaction with the new rulers were, And no doubt the new rule, the experience of new land uses, particularly Iran. Meanwhile, the Iranian Muslims were in the service of his art. Gradually, and was with the spread of Islam, tradition and fan decorated and illuminated Qurʹan scribe impact of Iranian art, So that the fan decorated and illuminated work of art in the Islamic era in Iran, was exalted position. Should be said that Manichean thinking in creating works of art as a mystical approach to a particular artist in mind that the verses and the word Muslim and respect for the right time, and continuity. Homesickness in the material world and are thought to travel upward and purge himself of his earthly life, Manichaean teachings can be thought as a continuation of Islamic art, especially in art, decoration and illumination of the Holy Quran repeatedly observed. Graphic characteristics associated with the religious character of that idea at the heart of the artist is Manichean. The nature and characteristics of religion and religious art, art therapy and its transmission through the scribe of the Holy Quran, particularly widely seen in the decorating of Qurʹanic manuscripts. The effects of pre-Islamic era in Iran, Manichaean art is his religious ideas and thoughts in the form of pictorial art and spread their propaganda. Although the group moved to the east of Iran, and also were flowing to the West, But in the Islamic era and the Islamic regimes in Iran and Iraq attended the date is confirmed. This study has tried to The effect of the Manichean image on the artistic decoration of deep communication and transmission of the Qurʹan and its evolution in the course will examine later. The importance of this configuration sharing and discovery of art as affecting subsequent periods, And its evolution, it can also depend on cultural and historical roots of decorative elements in each period, And the continuing influence of this effect and body functions, we know the more effective is the artistic and cultural commonalities.The purpose of this research by visual features, decorative and applied arts as well as the type of Manichean, Quran in decorated manuscripts from first to sixth century AD The Museum of the Quran, Imam Reza (AS) is, In this Article, an adaptive joint elements are specified above. Methods This study is a descriptive - analytic approach to data collection and the library field.
سال انتشار :
1391
عنوان نشريه :
هنرهاي زيبا- هنرهاي تجسمي
عنوان نشريه :
هنرهاي زيبا- هنرهاي تجسمي
اطلاعات موجودي :
فصلنامه با شماره پیاپی 52 سال 1391
كلمات كليدي :
#تست#آزمون###امتحان
لينک به اين مدرک :
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