عنوان مقاله :
جام شوش، جامي پر از رمز و راز
عنوان فرعي :
The Susaʹʹs jar, is full of secret and symbol
پديد آورندگان :
كابري، فرانك نويسنده عضو هيات علمي دانشكده هنر Kabiri, Faranak , براتي، بهاره نويسنده عضو هيات علمي دانشگاه شهركرد، دانشكده هنر، ,
اطلاعات موجودي :
فصلنامه سال 1389 شماره 43
كليدواژه :
بزكوهي , تناسبات , سفال , جام شوش , نقوش
چكيده فارسي :
يكي از راه‌هاي دستيابي به فرهنگ و دانش بشري، مطالعه‌ي هنر تمدن‌هاي گوناگون است. در شناخت تمدن ايران نيز، شوش از اهميت والايي برخوردار است و سفالينه هاي منقوش آن، بر تارك موزه‌هاي جهان مي‌درخشند. اين مقاله سعي دارد به شيوه‌ي توصيفي- تحليلي و تاريخي، علل توجه جهانيان به اين سفالينه‌ها، به‌ويژه جام شوش را بررسي كند. اولين موردي كه احساس لذت را در بيننده ايجاد مي‌كند، زيبايي ظاهري است كه از طريق: چشم‌نوازي نقوش و هماهنگي آنها با يكديگر و با شكل ظرف، وجود تناسبات منطقي، تقسيم‌بندي‌هاي دقيق، رعايت سواد و بياض و طراحي منحصر به‌فرد، ايجاد مي‌شود. اين مساله با محاسبه‌ي اندازه‌هاي اشيا و به‌دست آوردن تناسبات، پيگيري و ملاحظه شد كه اعداد به‌دست آمده به عدد طلايي نزديك هستند. عامل ديگر، داشتن بار معنايي هر نقش است كه به عنوان نمادي خاص به‌كار رفته و ضمن ارتباط با ديگر نقوش، در پي دستيابي به هدفي خاص با تكيه بر باورها، اعتقادات و تمايلات انسان پيشين مي‌باشد. دلايل مطرح شده براي برتري شاهكار سفالين جهان، با بررسي تطبيقي اين نمونه، با سفالينه‌هاي تمدن‌هاي هم‌عصر با تمدن ايران و سفالينه‌هاي مناطق هم‌دوره با منطقه‌ي شوش به اثبات مي‌رسد و نبوغ ايرانيان را در خلق آثار هنري و بيان رمزگونه‌ي خواسته‌هايشان به‌نمايش مي‌گذارد.
چكيده عربي :
One of the ways of recognizing the human culture and knowledge is survey of arts in civilizations. Clay and pottery are old handicrafts, and they have ancient placed in Iranianʹs cultural research& cognation. This craft is various handwork of mortality and has with deep denotation. This is the best reason that this craft is the primer thing for figurative culture. In this regard, ever locality and civilization get the different experiment for presentation of values such as line, color, shape and content. The engraved goblets that found from SUSA (shoosh)area are the patterns of art and culture of this land at the 2th quarter of 4th millennium, and they are not only the potable goblets, but also they are Transmuted to suitable litter for use the special method in presentation and conduction of deep denotation statement in form and figure. So, to take cognizance of Iran in traditional civilization, cognizances of pictorial potteries with motives from SUSA are very important and the best is that jar has been kept in Louver museum in Paris. In this essay, we research the worldʹs approach to these potteries by analytical descriptive manner, especially Susaʹs jar that is in mugʹs group. The first factor that makes sensuous pleasure in viewer, is outside beauty.this factor is possiblebyharmony between patterns and shape of jars, logical proportion, precise divisions, positive and negative area and unique design. it is considered by calculation of dimentional and perception of proportions, we know that gotten numbers are between 1.7 until1.9 that are close to golden numbers mean 1.6. the second factor is meaning of patterns that used as special symbols that makes relationships between motives and patterns, according to special tends and by emphasis on previous human opinions and tendencies. In this pattern,the goat is symbol of moon and earth and his horns are showing of productivity .The continuity of birds is symbol of flight and prayer and wanting rain, because Iranian believed if the constellation of goat and bird had been seen together,come rain in special seasons.the wheat is symbol of vegetate and is as goatʹs tail.the form of square and circle that is in goatʹs horns, means earth and sky are counterpart together for raining for growing and birth until primery human received felicity. So, the Susaʹs jar is the mug for drinking and the talisman of wanting rain and wanting felicity, too. Here we argue to priority of Susaʹs potteries as compared with other pottery of other culture such as: Egypt and India and didnʹt see breakdown of suitable areas and proportion of patterns with form of clay vessel.in the another argue the goat pattern that is the main pattern in Susaʹs jar, has been campare with same pattern in another areas in Iran at the same age, and seems that the best animal patterns of animal were drown in Susa. This comparation shows Iranianʹs genious in creative works with symbolistic desires.
عنوان نشريه :
هنرهاي زيبا- هنرهاي تجسمي
عنوان نشريه :
هنرهاي زيبا- هنرهاي تجسمي
اطلاعات موجودي :
فصلنامه با شماره پیاپی 43 سال 1389
كلمات كليدي :
#تست#آزمون###امتحان
