عنوان مقاله :
عدم توفيق توليد انبوه انيميشن در ايران با رويكرد مديريت توليد، دهه 1380- 1390
عنوان فرعي :
Failure of Mass producing Animation in Iran: a Production-Management Approach in the Decade 1380-1390
پديد آورندگان :
لنگرودي، احمد نويسنده كارشناس ارشد، دانشكده هنر و معماري، Langroudi, Ahmad , صفورا، محمد علي نويسنده دانشگاه تربيت مدرس,دانشكده هنر و معماري , , ندايي، امير حسن نويسنده استاديار دانشكده هنر و معماري، Nedaei, Amir Hassan
اطلاعات موجودي :
دوفصلنامه سال 1391 شماره 46
كليدواژه :
توليد انبوه , انيميشن صنعتي , سازمان هنري , مديريت توليد
چكيده فارسي :
صنعت انيميشن در طول نيم قرن از اولين توليدش در ايران، به دلايل مختلفي اعم از ورود افراد از رشته هاي غيرمرتبط به عرصه اين صنعت و بكارگيري آنان در خط توليد و بسياري دلايل ديگر در مقايسه با مقياس جهاني پيشرفت زيادي نداشته است. بخشي از اين دلايل عدم توفيق، حاصل عدم مديريت صحيح در روند توليد انيميشن بوده است. لذا در اين تحقيق با بررسي شاخص هاي تاثيرگذار در مولفه مديريت، دلايل عدم توفيق صنعت انيميشن در ايران در دهه 80-1390 مورد بررسي قرار گرفته است. مبناي فلسفي پژوهش، اثبات گرايي و با جهت گيري كاربردي، انجام شد. رويكرد پژوهش قياسي، صبغه پژوهش كيفي- كمي و به صورت ميداني انجام گرفت. پژوهش حاضر، بصورت توصيفي بوده و ابزار گردآوري داده ها، مصاحبه و پرسشنامه مي باشد. در اين مطالعه از روش دلفي استفاده شد. نتايج حاصله، با استفاده از آزمون آماري واريانس فريدمن تحليل گرديد. نتايج نشان داد شاخص هاي "فقدان ساختار استاندارد توليد صنعتي در استوديوهاي توليدي" و "ناآشنايي مديران با روش مناسب توليد انبوه" و "ناآشنايي مديران با اصول مديريت سرمايه انساني در استوديوها"، اصلي ترين دلايل در حوزه مديريت توليد را در بين ساير شاخص ها به خود اختصاص دادند.
چكيده لاتين :
Animation, in its shape and content, originates
from imagination; its most important
characteristic is the actualization or materialization
of endless imaginations. The art of animation,
when its variety of techniques and attractiveness
is considered, is warmly accepted by a wide
range of audiences across the globe. With the
emergence of television and its serious need
for this art, animations gradually moved towards
industrialization. All these, with its importance in
today’s world to achieve both cultural and financial
goals, led various artists to be attracted to and
employed in this huge industry. This large group
of human resources is actually the building block
of this industry which has made it change from its
initial shape as an absolute art to an enormous
industrial enterprise. Though there is not much
of animation history in Iran when compared with
pioneer countries, Iran can be considered as
having a relatively long background in Asian
animation. While half a century is passed since
the first time animation was produced in Iran,
this art-industry has not yet improved much for
many reasons such as the employment of people
with non-related degrees and misemployment in
the production line of the projects as well as the
shortage of professional employees and lack of a
comprehensive insight about animation industrial
productions as an influent and profitable industry
by policy-makers. It seems that part of this
disadvantage is due to mismanagement in the
process of animation production. In this research,
having some influent indexes of management
examined, reasons for the Iranian animation
failure in the 2000th decade are studied. The
philosophical basis of the research is positivistic,
oriented toward applied uses. The analogical
approach of the research is supported by a
qualitative-quantitative field survey. The present
study is a descriptive one equipped with datagathering,
interviews and questionnaires. Lacking
an organized model of pathological study of
industrial animation production in the last decade,
the Delphi method was used to serve as a model
of study. To analyze the given data, the Freedman
variance statistic test was utilized in order to
classify the preferences of the experts’ views. The
results of the research showed the below indexes
atop the list of experts’ approval percentage in the
production field among many other indexes: Lack
of a standard structure for industrial production
in the studios, managers’ unfamiliarity with the
proper method of mass production, ignorance
about the principles and bases of human resource
management in studios, manager’s being unaware
about marketing and distribution techniques, lack
of cooperation with great international companies
and lack of commitment to a high-quality
production. The results also categorize the below
indexes as next indexes in line, as to the ordering
management: unfamiliarity of managers with the
mass production conditions in animation industry
and lack of a valid technical supervision.In the end,
the findings criticize managers for their distrust
in younger production teams and their usage of
other cultures that are not quite compatible with
our culture.
عنوان نشريه :
هنرهاي زيبا- هنرهاي نمايشي و موسيقي
عنوان نشريه :
هنرهاي زيبا- هنرهاي نمايشي و موسيقي
اطلاعات موجودي :
دوفصلنامه با شماره پیاپی 46 سال 1391
كلمات كليدي :
#تست#آزمون###امتحان