دست نگاره هاي خيالي در فرآيند طراحي معماري

Visionary Drawing in Architectural Design Process

طراحي معماري ساختاري متشكل از مراحلي مختلف را در بر دارد و كيفيت و محصول نهايي آن به دانش محتوايي طراح واستفاده از آن در قالب تفكر خلاق وابسته است. كليد تفكر خلاق قدرت ابداع انگاره ها است و در ميان انگاره ها، دست نگاره هاي طراحي كه بر اساس ميزان قطعيت ذهن طراح در مراحل مختلف طراحي قابل دسته بندي هستند، جايگاه ويژه اي خواهند داشت. دست نگاره هاي خيالي به عنوان يكي از اين دسته بندي ها، علي رغم ايفاي نقش در درك ماهيت، كيفيت و چيستي طرح، عموماً مورد بي اعتنايي قرار مي گيرند و اين در حالي است كه اين آثار ابزار مناسبي براي رشد خلاقيت معماران به حساب م يآيند. پاسخ به اين سوال كه ماهيت، جايگاه و تاثير اين آثار در روند طراحي معماري چگونه است هدف اصلي بحث است و اين كه تمركز طراحان و يا اساتيد معماري بر آنها، چگونه در راستاي ارتقا كيفي ايده هاي طراحي و آثار معماري تاثير گذار خواهد بود.

The work of architecture is believed to depend on the governing thought in the process of architectural designing. This thought can be analyzed, developed, experienced, and interpreted. Creativity is the only domineering force in the idea of designing which is in quest for freeing architecture from the routine methods, and also finding the novel systems to answer the questions in architecture. Therefore, a special fixed and stable place is considered for creativity. As many believe, the process of designing is so complicated, mysterious, and enigmatic .The process of architectural designing has a structure which is consisted of different steps and its quality and final output depends on designerʹs content knowledge and creative utalization of that in the format of creative contemplation.the key of creative thinking is the power of creative concepts,which can be classified in that level of designing by the degree of certainty of designerʹs mind,will have special role. Visionary drawings or Imaginary sketches as one of these categories, in spite of playing a key role in understanding the nature, quality and quiddity of design since they can not be interpreted by others, are generally ignored by critics and theorists of design process.Also, in the field of architectural teaching, these students ʹ imaginary sketches are underestimated by architecture professors since they can not be judged by design principles . while they are suitable means for development of architects ʹ creativity. These outputs and drawings realize some kind of passage from imagination the visualization in the form of intimate connection . This article seeks to answer what is The nature, status and effect of these works is in the process of architectural design and how it can promote the quality of design ideas and architectural works . the concentration upon visionary drawings is through using manual tools of designing to indicate and analyze the ideas without limitations and to increase the quality of the creative ideas and correct the possible faults of making decisions about designs. the visionary drawings can also be viewed as personal interests of signs .but the theme of symptomatology in visionary drawings is to take advantage of signs to transfer the concepts between the creation and the creator itself . the signs of children is also the result of their attempt in using the symbols as a replacement of the phenomenon .suchlike the visionary drawings can be similar to children paintings while their art imagination is formed . with this difference that past is in the children paintings and the future is in the visionary drawings. analyzing and giving recognition to visionary drawings in architecture masters opinion can be a sufficient opportunity to resist theoretical inmost and clear the concerns and the qualitative criteria of design ideas can be prepared for students . we can assume the use of these drawings during the designing trend as innovative tests of architectures. in other words , although these drawings are not creative symbolism of ideas but they are bridges between ideas of designing and the final design. Keywords: Architectural design process,