جلوه‌هاي نوآوري در شعر عدي بن‌زيد عبادي

عدي‌بن زيد عبادي از شاعران مسيحي در عصر جاهلي است. وي نويسنده و سفير دربار ساساني بوده و از آغاز نوجواني به هر دو زبان فارسي و عربي تسلط كامل داشت. شاعر در مضامين مشهور شعر جاهلي شعر نسروده است. مدح و رثا در ديوان او موجود نيست و فخر و هجا منحصر در چند بيت است. وي براي اولين بار، خمر را به عنوان فن مستقل به كار برده و در اين زمينه، شاعراني مثل اعشي و اخطل از او پيروي كرده اند و نيز در شعر قصصي و اعتذاريات بر ديگر شاعران جاهلي پيشي گرفته است. عدي‌بن زيد به خاطر ابتكار در اغراض، شكل و درون مايه‌ي قصايد جاهلي، شاعري نوآور به شمار مي آيد؛ اشعار وي در بيشتر قصايد معاني جديد داشته و از تقليد فاصله دارد. در اين مقاله سعي بر اين است تا نوآوري شاعر در اغراض و شكل و معاني بررسي شود.

Adie bin Zaid is one of the Christian poets in the period of ignorance. He was a writer and ambassador in Sassanid Court and since early age he was fluent in both Persian and Arabic. This poet did not say anything about ignorance poems. There is no eulogy in his collection and proud and phoneme are in some of their couplets. He was the pioneer and the foremost in using khamr as in independent art and in this area. Poets such as Asha and Akhtal followed him. He also surpassed in fictional and etezariyat poems other poets of the age of ignorance. Adie bin Zaid is counted as innovator because of his recreation in goals, forms and ignorant poetic content. His poems in most of odes have new meanings and far away from imitation. The current paper tries to study this innovative poet especially with reference to his poetic goal, forms and contents.