بررسي نيمه نا تمام در شعر "احمد شاملو" و "نزار قبّاني"

A Study of the Incomplet Half in " Ahmad Shamloo" and "Nazar Qabbani"’s poems

احمد شاملو و نزار قباني دو شاعر بزرگ و صاحب سبك معاصر فارسي و عربي هستند كه در اشعار خود به نيمه ناتمام پرداخته‌اند. هر دو شاعر به مساله عشق توجه داشته‌اند و حتي بعضي از آثار خود را به نام يك زن ـ "آيدا در آينه" از شاملو و "قصيده بلقيس" از قباني ـ چاپ كرده‌‌‌اند. در واقع، نيمه ناتمام از بارزترين عناصر شعري و زباني اين دو شاعر است كه گاهي به صورت كاملا عيني و ملموس و گاهي به شكل سمبل و نماد در آثار هر دوي آن‌ها تجلي مي‌يابد. در آثار يونگ دو كهن الگوي مهم به نام "آنيما" و"آنيموس" وجود دارد. "آنيما" جنبه زنانه روان مرد و "آنيموس" جنبه مردانه روان زن است. در ادبيات عاشقانه همواره جايي براي توصيف اين نيمه وجود داشته است. شاملو در آثارش "آيدا" را به عنوان نيمه ديگر خود برمي‌گزيند و قباني نيز "بلقيس" را در راس آرمان‌هاي خود قرار مي‌دهد.

This paper is a research on the incomplete half from the view of two great and style-founder contemporary Persian and Arabic poets:Ahmad Shamloo and Nazar Qabbani. The attention of Both poets to love and presence of a particular woman in the life of each one and printing some of their works with a womanʹs name that are " Ayda in the Mirror " from Shamloo and " the Ode of Belghis " from Qabbani demands the necessity of addressing to this issue more. Actually the Incomplet Half is of the striking elements of these two poets’ poetic and language elements that is manifested in the works of both of them sometimes quite concrete and sometimes in the form of a symbol.There are two important archetypes in Jung ʹs works called " Anima " and "Anymus". "Anima" is the feminine aspect of the male psyche and "Anymus" the masculine one of the female psyche.In the romantic literature there has always been a place to describe this half.Shamloo takes “Ayda” as his other half in his works and Qabbani also places " Belghis " at the head of his ideals.