«معصوم»‌ها چگونه شخصيت‌ پردازي شده‌اند؟تحليل شخصيت‌پردازي دو داستان از هوشنگ گلشيري

چكيده در ميانِ داستان نويسان معاصر، يكي از شاخص ترين افراد در خلق شخصيت‌پردازي هاي ماندگار «هوشنگ گلشيري» است. وي با خلق داستان‌هايي توانست سبك و شيوه خاص خود را در زمينه آثاري كه مبتني بر بيان دغدغه هاي ذهني و رواني شخصيت-هاي داستاني است -كه خود شخصيت‌پردازي قوي و ماهرانه‌اي را مي طلبد، تثبيت كند. اين مقاله به چگونگي پردازش شخصيت-هاي دو داستان از مجموعه داستان‌هاي هوشنگ گلشيري با نام هاي «معصوم اول» و «معصوم سـوم» خواهد پرداخت. لازم به ذكر است كه اين پژوهـش به بررسي شخصيت و نحوه شخصيت پردازي، نه از ديدگاه روان شناسانه بلكه از منظر ادبيات و با در نظر گرفتن ساختارهاي «شخصيت پردازي» در ادبيات داستاني ايران پرداخته است.

Abstract The characterization power of every writer is originated from his or her constant research in the real life and changing its phenomena to a fiction’s characters. The rate of an artist’s talent will be reflected in showing this ability implying that how much does he or she understand the reality and how much does he or she prevent to be involved in compulsory flourishing the images and characters which are not compatible with their intrinsic nature or working with artificial structures and finally how much does he or she show sensitivity to his or her character’s life process. We always need to know this fact that writers are using various methods to show the internal and external characteristics of their fictions’ characters that sometimes it has a natural and acceptable form and sometimes as it has been observed many times it goes with an artificial form too. Extra characterization is sometimes found in some writers’ works. This is a very important issue that if a writer logically and based on the previous readiness uses a character or characters in the fiction accidents atmosphere, more interest and attachment of the readers towards the characters and their positions would be expected. Among the contemporary fictions, one of the most outstanding people in creating ever-lasted characters is Hooshang Golshiri. He by creating some fictions could fix his specific style and method in creating works based on expression of the mental and psychic concerns of the fictional characters requiring professional and strong characterization. This paper is dealt with how have the characters of two fictionsof Hooshang Golshiri’s fiction series namely, “Masoum-e Avval” (The First Innocent) and “Masoum-e Sevvom” (The Third Innocent) been processed. It is worthy to note that this research studies the character and the characterization not in psychological viewpoint but literarily and by considering the characterization structures in the Iranian fictional literature. Key words character; characterization; The First Innocent; The Third Innocent; HooshangGolshiri