تحليل ساختاري داستان گنبد سياه از منظومه هفت پيكر نظامي

چكيده تحليل عناصر داستان بر اساس نظريه‌هاي ادبي از چند جهت لازم است، نقد ادبي روشمند مي‌شود، امكان بازيابي و ارزش‌يابي متون كهن ادبيات فارسي فراهم مي‌شود، صحنه نقد و نظر از شوايب پاك مي‌شود و معيار‌هاي علمي ‌هدايت‌گر فرضيه‌ها و ادعا‌ها خواهد بود. در جستار حاضر مي‌كوشيم تا داستان گنبد سياه (روز شنبه) از منظومه هفت پيكر نظامي‌ را بر پايه آراي ساختارگرايان روايت (پراپ، گريماس، تودوروف و برمون) تجزيه و تحليل كنيم. واكاوي عناصر داستاني شخصيت، نقش و نشانه و روابط ميان آن‌ها ما را در درك بيشتر انسجام معنايي و ساختار روايت قصه و نظام فكري روايتگر آن ياري مي‌كند.

Abstract The structuralism school is followed up with a review of solidarity within th context and coherence between them to engage analyze a literary work. A part of the literature that structuralisms are analyising on it , itʹs "Folk tales". Vladmayerpropp is the most important person in this context that offered morphology design of stories. he believed to both the role and character.in this study ,seven stories of Haft peykar has been studied by Propp views and his critics. during this seven stories, the hero has the greatest role and his complementary character is generous. only 23 of his total 31 special role, repeats during the stories. stories of major events, sepecially in two-thirds and one-thirds have symptoms .the symptoms often is about characters and the tale use less than area symptoms in his description applies. The model based on story narrated Grymas except saturday ,textured story of a negative situation into a positive situation .with this analysis the end of every story will end well that transfer to contact much more lyrical aspects. Keywords Haft peykarenezami,structuralism, criticism-the story elements, black dome story(Gonbadesyah story)-special role-narrative structure