پير حمزه سبزه پوش

pir-hamzeh sabzeh-poosh

محراب هاي گچبري ايران از نظر هنري و سابقه ي تاريخي داراي جايگاه ويژه اي هستند. مديريت و ساماندهي اين محراب ها كه بيشتر مربوط به قرون ششم تا هشتم هجري قمري مي باشند، توسط هنرمنداني رقم خورده كه اوج هنر خود را در تزيين مكاني به كار گرفته اند كه محل خضوع و خشوع انسان در برابر خالق بزرگ است. سبك هاي متنوع چه در شيوه اجرا و چه در ابداع كتيبه ها و نقوش كه بعضاً سابقه ي نقوش ساساني در آنها عينيت دارد، جز شاهكارهاي هنري به حساب آمده كه بخش عمده اي از آنها در مناطق مركزي ايران پخش هستند. در اين مقاله كه به صورت ميداني و كتابخانه اي كار شده است، دو نمونه تاريخي ارزشمند شهرستان ابركوه در استان يزد شامل محراب مسجد جامع ابركوه، مربوط به قرن هشتم هجري قمري و بقعه پير حمزه سبزه پوش يا عزيز الدين نسفي متعلق به قرن ششم هجري، مورد بررسي قرار گرفته و تفاوت ها و شباهت ها را مورد تحقيق قرار داده ايم. با توجه به فاصله دويست ساله دو محراب و قرار داشتن در موقعيت جغرافيايي واحد، تزيينات انجام شده در اين دو محراب مي تواند ما را در شناخت ويژ گي هاي زيبايي شناسانه اين دوره ها ياري دهد.

A comparative study of inscriptions and decorative motifs for two sanctuaries tore of Jame masque and tomb (mausoleum) of PirHamzehSabze Posh (AzizoldinNasafi) Abarkuh in Yazd. Iranian tore sanctuary have a high position between decoration effects related to the mosques and are considered as the most prominent (significant) artworks in this country. The most beautiful motifs (designs) and lines are serves in a position that is inclined toward kiblah and Kaaba and is a place for prayers (saying prayer). Most of these sanctuary were (alters) related to fourth until eighth Hegira, which was the oldest related to Nain’s Jame masque in central region of Iran. In this paper, two tore sanctuaries that are in another part of central plateau in Iran,Abarkouh region in Yazd has been studied. Tore sanctuary of tomb (mausoleum) PirHamzehSabze Posh is related to the fifth Hegira and Jame mosque of Abarkuh is related to eighth century Hegira, which both have features that while introducing sections also compare components .Being of Kofi line copies (Naskh) (plain and decorative), inscriptions (Sols) and also geometric designs, arabesques and symbolism were part of sharing characteristic of both the sanctuary that each one have differences. Relatively simple tore motifs and close to the Sasanian of tomb sanctuary and complicated and ceremonious motifs of Jame masque sanctuary ,see the existence of two approaches in two periods to us .Also kofi simple lines(writings ) and uniform decorative and of course beautiful that have adorned verses of the Holy Qur’an ,beside the decorated and complex Kofi of Jame mosque with line copies (Naskh) and inscriptions (Sols) have also characters that sophistication and elegance are distinguish between sanctuary of Jame mosque and the tomb. Scrolls (inscriptions) purports (contents) except of Holy Qur’an verses are referred to the names of God and their repetition in different parts of the sanctuary. In total, these two sanctuary that are in one place and large part of it were destroyed , showing two hundred years of advancement and progress in motifs and lines of Iranian tore arts .