آسيب‌شناسي موسيقي بيروني در شعر نيمايي

Interactive rhetorical questions in contemporary persian literature

در اين جستار با ديدگاهي انتقادي به بررسي موسيقي بيروني در شعر نيمايي پرداخته‌ايم و با آوردن چند نمونه‌ شعر و پيش كشيدن مباحثي چون شيوه‌ سطربندي و جاي پايان يافتن لخت‌ها، كاربرد اختيارات عروضي و لغزش‌برانگيزي وزن در شعر نو، كاستي‌هايي را كه در نوشتن قانون‌هاي عروض (به دست پژوهشگران) يا در اجراي آن قانون‌ها (به دست سخنوران) راه يافته آشكار ساخته‌ايم و كوشيده‌ايم با افزودن چند قيد و اصلاحيه بر قانون‌هاي پيشين، كار شناخت ظرايف وزن شعر نو و بهره‌گيري بهتر از آن را براي پژوهشگران و شاعران آسان‌تر سازيم.

From past to present in the persian rhetorical books, for question sentences had listed various intentions that approximately include most of question sentence in classic persian literature. but in the contemporary works whose that are mostly readerresponse, we find rhetorical question that in classic rhetorical books did not mention about them because in classic works rarely find example of them. This rhetorical question find chiefly in contemporary narrative texts and outsatanding by multiplacity of meaning. Multiplicity of meaning created by Contribution of reader in creation of text that in this way apply in the text a rhetorical question and undirectly way request from reader to repley it. This question in the essay named interactive rhetorical question. this essay first discuss about weaknese of persian classic rhetorical books in explain of this devise,afterward analyze the Linguistics and critical discourse that explain this device and finally showed examples of this rhetorical question in poem and literary naratives.