سبك شناسي قصايد شهريار

stylistics of shahriyar ode

قصيده فارسي تا پايان قرن ششم، دوره درخشانِ شكوفايي خود را پشت سر گذاشت و از قرن هفتم به بعد رو به افول نهاد و از معيارها و ساختار اصيل خود دور شد ؛ اما در دوره مشروطه بار ديگر با ساختار اصيل خود احيا شد . موضوع اين مقاله "سبك شناسي قصايد شهريار" است . ميتوان گفت كه هرچند شهريار ادامه دهنده بسياري از سنتهاي شعر فارسي است ؛ اما در قصيده به دنبال آن سنتهاي كلاسيك نبوده و قصايد او بيشتر نَرم و تغزلي است . هرچند برخي قصايد او بمانند قصايد قدما مستحكم و با صلابت است ؛ اما شگرد اصلي او قصيده نيست. پرسش اين است كه قصايد شهريار داراي چه ساختار و ويژگيهاييست كه قصايد او را از قصيده سرايان معاصر و كهن متمايز مينمايد. بدين منظور،چهل قصيده وي را از وجوه مختلف : موسيقي بيروني، بيان ، بديع و... مورد بررسي قرار داده و مباحث مهم و برجسته را مطرح كرده ايم و صورخيالي كه تقليدي و كليشه اي بوده اند و صورخيالي را كه حاصل ديد خاص اوست آورديم و چگونگي انعكاس پديده هاي نو وكهن را در قصايد وي ارائه نموده ايم

Persian ode until the end of 6th century forsook its flourishing brilliant period and paved its fall from 7th century on, and took distance from its standards and genuine structure/composition; however during constitutional period, revived again with its genuine structure. The subject of this article covers the "stylistics of Shahryar Ode.” This can be said, though Shahryar has been the pioneer of many of the Persian poetry traditions; but he did not follow those classic traditions in Ode and his ode are mostly soft and lyrical. Although, some of his odes such as his ancients odes, are powerful and full of strength; even then, his main shout does not include Ode. This is the question that the odes of Shahryar cover which type of structure/composition and attributes that differentiate him from his contemporary and old ode composers. For this objective, 40 odes of Shahryar were examined from different aspects, outer music, expression, exquisite etc... and we have discussed important and outstanding points in it and covered imaginary pictures which were stereotyped and imitation and also discussed the imaginary pictures which were the results of his particular outlook and have presented the reflecting way of new and old phenomena in his odes.