كليدواژه :
هند , امپراطوري مغولان , نگارگري , ايران , غرب
چكيده فارسي :
امپراطوران مغول هند از مهم ترين حاميان هنر، به خصوص هنر نگارگري در دوره ي زماني خود در جهان اسلام محسوب مي شدند. سرزمين هند به علت شرايط سياسي، اجتماعي، اقتصادي و همچنين درك هنري پادشاهان مغول موجب مهاجرت نگارگران ايراني به هند شد. اين مهاجرت نگارگران در نهايت موجب تاثيرگذاري عميق نگارگري ايراني بر نگارگري هند شد. پس از نگارگري ايراني، نگارگري غربي نيز با سبك هاي جديد و اغوا كننده، نگارگري هند را تحت تاثير قرار داد. تاثير نگارگري ايراني و غربي بر نگارگري هند موجب پديد آمدن سبك هاي جديد و تلفيقي در هنر نگارگري هند دوران مغولان شد. از اين رو چرايي و چگونگي تاثيرگذاري هنر نگارگري ايراني و غربي بر نگارگري هند دوران مغولان نيازمند پاسخ است. نوشتار حاضر با بهره گيري از مطالعه ي تاريخي متكي بر تحليل، ضمن نشان دادن سير تاريخي اثرگذاري سبك نگارگري ايراني و غربي بر نگارگري هندي در دوران مغولان كبير، ويژگي هاي سبك هاي نگارگري تزئيني ايراني، رئاليست و منريسم غربي را به عنوان عوامل مهم در تاثيرگذاري بر نگارگري مكتب هند قلمداد كرده است و بر تشئتت هنر نگارگري هند كه در نتيجه تاثير و تاثر نگارگري ايراني و غربي به وجود آمده تاكيد مي ورزد.
چكيده لاتين :
The great Mughal emperors of India, with their fortunes, were considered to be the most important advocates of art, especially art, during their time in the Muslim world. Due to the political, social and economic conditions in India, many painters from different lands, including Iran, migrated to the court of the Mughal kings of India. This led to India's art, especially painting, to be influenced by Iranian art. India's land was the first Islamic country to accept and be very impressed with Western art. This interaction and opposition to Indian artists, in their ancient artistic style Which is available in the Agenta cave complex, has led to the emergence of new and integrated styles in Islamic art. The art of painting in the land of India began from the period of Zahir al-Din Babar, and during the Akbar Shah, he reached his artistic peak, and he continued after him, but with the reign of Orangebe the advent of art was declining. The purpose of this study was to show the impact and The influence of the arts of ancient, Iranian and western Indian art in the Indian Mogul empire has been shown. The results show that Iranian art, and then Western art, had the greatest impact on the art of Indian painting of the Mongol period, although this effect ultimately leads to artistic contrast In the realm of the Great Mughal government of India. This research seeks to answer the question of the influence of Persian, Hindi, and Western painting What was the result of the Great Diocese of the Mongols of India? Also, the study of the impact and influence of the Mogul empire in India is one of the innovations of this research. The research method in this paper is descriptive and analytical
