ريشه يابي بوطيقاي نيما يوشيج در غزل هاي نو سيمين بهبهاني

Studying the roots of NimaYushij’s poetics in the free verse sonnets of Simin Behbahani

غزل نو، نوع جديدي از غزل با نگاهي تازه و زباني امروزي است كه پس از فراگير شدن شعر نو در جامعه پديد آمده است. سيمين بهبهاني با آثاري چون: «خطي ز سرعت و از آتش»، «دشت ارژن»، «يك دريچه آزادي» و «يكي مثلا اينكه» خود را به عنوان يكي از پيشگامان كوشاي اين فرم شعري معرفي كرده است. با توجه به تاثير شعر نيمايي بر پيدايش غزل نو، پاسخ به اين سوال ضروري به نظر مي­رسد كه احياگري بهبهاني در غزل، در چه محورهايي از بوطيقاي نيما تاثير گرفته است؟ بهبهاني در طرز ديد و طرز كار تازه كه دو پايه­ي اساسي بوطيقاي نيماست، از وي متاثر است. او در طرز ديد به فرديت شاعرانه، عينيت­ گرايي، جامعه ­مداري و در طرز كار به زبان جديد، بيان طبيعي، الگوي وصفي-روايي و هارموني در جهت پويش غزل، دل بسته است. روش تحقيق در اين جستار، تحليلي – توصيفي است.

Modern sonnet refers to a kind of sonnet with a new perspective and modern language which has emerged after the expansion of the modern poetry in the society. Simin Behbahani with works such as A line from speed and of fire, Dasht-e-Arjan, Awindow towards freedom, and one as such… has introduced herself as one of the effortful forerunners of this form of poetry. Regarding the effect of Nimaee poetry on the advent of modern sonnets, answering this question seems necessary that: in which aspects has Behbahani’s modern sonnet been influenced by the suggested Nima’s poetics? or basically, in what directions Behbahani’s renovation in sonnet has been consistent with Nima’s poetics? It seems that Simin has followed Nima’s poetics in both new perspective and style which are two basics of Nima’s poetics. Regarding this perspective, she had been adherent to poetic individuality, objectivity, socialism and dialogism; and from the view of style, she was interested in the new language, natural expression, descriptive-narrative pattern and harmony for the dynamics of the sonnets. The research method is descriptive-analytic.